I really got attached to this story and the characters quickly. The prose was fluid and engaging, the author set up 1930s England very well, the character Brian had a clear voice. The supporting characters are great- I loved Lil, I loved Lucy and her Parisian lesbian escapades, Louise was fun, I wish we got to see more of Philippa's sexuality exploration. I got very invested in Brian and Edward's relationship
And then... it kind of fell apart. I got less interested the more overwrought it became. When it became obvious that
Some bullet point issues I feel are pertinent to address:
-There's one single mention of anything related to transgender people in the entire book, and it's a single line afforded to a 'transvestite whore' that emphasizes the falseness of her eyelashes and her breasts. As if fiction didn't hyper-fixate on how different transgender people are from cisgender people enough, or put trans women into the roles of prostitutes enough. (And you can say, but a transvestite isn't a transgender person! And I will say, the history of conflating them is long, in fact before transsexual existed the only word we had was transvestite.)
-There's one single mention of a Jewish character in the whole book, when the story takes place in the 1930s and frequently references of the horrors of the Third Reich and holocaust, and that Jewish character is a greedy, amoral banker. Does no one see the issue here?
-There are NO people of color, except for a once-mentioned Ethiopian man who Brian apparently has a fling with. He's not named, he's just a description of traits in a list of men. Considering the setting- 1930s London, which has always been a diverse city, a focus on the Communist movement, where working-class people of color would have been involved- there should be way more people of color involved in the story.